North Brisbane Lapidary Club

We Dig Rocks

  • Email
  • Facebook
  • Home
    • Activities
      • Gem Cutting
      • Fossicking
      • Metalsmithing
        • Beginner Silversmithing Projects
      • Gemmology
    • Membership
      • Costs and Fees
    • Contact Us and Session Times
  • Gem Shows
    • QLACCA Gem Show Dates
    • Raffles & Prizes
    • Gem Shows Photo Gallery
    • Gem Show Dealers & Traders
  • News
    • Blog
      • Gem Show
      • Work Sessions Activity
      • Club event
      • Cabbing
      • Enamelling
      • Faceting
      • Fossiking
      • Metalsmithing
    • Newsletter Archive
  • Member’s Area
    • Calendar
    • My Bookings
    • Suppliers
    • Resources
    • Gems, Minerals and Rocks
    • Competitions
    • Topics
    • New Topic
  • Log In

Stained Glass part 2

June 3, 2021 By Carol

by Carol M

So this is my second attempt at Plique-À-Jour enamelling. Not good enough to give to my friend for her 60th as I had planned, but ending up as an addition to my ever growing collection of earrings.

I started out laying the piece's flat using the mica sheet, as with the test samples on the previous post, and filling in the areas with enamel. The enamel still sticks to the mica sheet and has to be then cleaned up, this led to cracks or the enamel falling out completely. I think maybe using 0.5mm fine silver was too thin, not giving enough thickness for the enamel to adhere to.

I then switched to the suspension method, using trivets and only very small amounts of enamel in the areas to be enamelled, building the layers very gradually. The first firing I let the kiln get too hot as the enamel dropped out, but I persevered being very careful not to let the kiln temperature reach over 785°C on subsequent firings.

This is very time consuming and I think I have spent at least 12 hours on these earrings, I am afraid to say this technique will have to wait until I have more time before trying again!

 

So I then tried the Champlevé technique, where areas of silver are either etched away to allow enamel to be laid into them, built up until they are the same height as the silver.  Instead of etching I tried another first for me and having pierced a design in a piece of silver, I fused it to a base plate.

Fusing, again a technique to be practised, there is a fine line between fusing and melting. I was getting better but as you can see there is some reticulation. The idea behind fusing is that you get the very shiny surface as a base for the transparent enamels but I have also read that by texturing the base it gives an interesting look to transparent enamels.  In this case I went with the texture.

Filling the areas with enamel was a much simpler solution than the Plique-À-Jour, but the enamels have still not come out as transparent as I was hoping.  Not sure if this is due the textured base or not freshly cleaning the enamel.  Maybe there will be a part three to this post ......

SHARE THIS:

  • Facebook
  • Email
  • More
  • Twitter
  • Pinterest
  • Tumblr
  • Reddit
  • Print

Filed Under: Enamelling

COVID-19 Update 

All members and visitors to the club must be fully vaccinated for Covid-19. Social distancing is still required.

Work Sessions

  • Tue EVE Work Session
    • 05/07/2022
  • Wed AM Work Session
    • 06/07/2022
  • Fri EVE Work Session
    • 08/07/2022
  • Mon EVE Work Session
    • 11/07/2022
  • Tue EVE Work Session
    • 12/07/2022
  • Wed AM Work Session
    • 13/07/2022

Club Events

  • Winter Fossicking Trip
    • 18/06/2022 - 16/07/2022
  • General Meeting
    • 27/07/2022

Copyright 2014 · Website Design Brisbane

Insert/edit link

Enter the destination URL

Or link to existing content

    No search term specified. Showing recent items. Search or use up and down arrow keys to select an item.